In 2009, Capt. Chesley “Sully” Sullenberger made an emergency plane landing on the Hudson River and saved the lives of all 155 passengers and crew. Director Clint Eastwood’s Sully which debuts in theaters Friday and stars Tom Hanks as the title pilot, Laura Linney as his wife, Lorrie, and Aaron Eckhart as his co-pilot, Jeff Skiles — brings that event to the big screen, and looks at the heroism of it, and criticism that surrounded it.
“Everybody knows the story of what happened at ‘Miracle on the Hudson,’” Eckhart says of the script, written by Todd Komarnicki and adapted from Highest Duty by Sullenberger and Jeffrey Zaslow. “What they don’t know is that there was a [National Transportation Safety Board] hearing that went on for quite a long time to see if it was the right thing to do, who was at fault if anybody, and it was quite traumatic. These pilots, as well as the staff and passengers, suffered [post-traumatic stress disorder] after.”
He continues on the scrutiny that ensued, “You expect if somebody lands a plane with dual engine failure into the Hudson and saves everybody’s life that they would walk away scot-free, and it’s not always the case. You have to then go to a hearing to investigate whether or not you did the right thing, if you could have saved the plane, if you could have landed at Teterboro or JFK, so there’s a lot that goes into it.” There’s a lot on the line too, like jobs, pensions, and reputations.
Continue reading at the source: Entertainment Weekly
Observer – The unlikely career of America’s most attractive character actor
Aaron Eckhart wants to show me some skin. We’re tucked away in the back of L’Ermitage hotel in Beverly Hills in the early afternoon, where Eckhart is nursing a Diet Coke, despite engaging the sommelier for a good 10 minutes in fluent French. The 48-year-old actor—known for his roles as charming if morally ambiguous characters, like Harvey Dent (or Two-Face) in The Dark Knight, a slick tobacco lobbyist in Thank You for Smoking and the sociopathic Neil LaBute’s In the Company of Men—sticks his arm out for me to inspect. He’s smiling in a way that underlines the basic premise of his appeal: With that cleft chin, that matinee idol swoosh of blond hair, the rugged stubble, who could resist taking Eckhart up on the chance to touch him?
“My skin has been stretched out as I’m getting older,” he says as he pinches and pulls a couple centimeters off his forearm, not unlike a batwing. This isn’t just a statement about his age, by the way, but also an example of why he’s getting too old for the Christian Bale school of acting. In his latest film, the biopic Bleed for This, opening at the Toronto Film Festival next month, Eckhart plays the failed boxer Kevin Rooney, an overweight, balding alcoholic who is grudgingly roped into training Vinny Paz (Miles Teller) after a car accident leaves him with severe injuries. Eckhart tripled his body fat percentage for the film…and it’s not the first time he’s done so for a role.
“A lot of guys do it,” he says of his packing on the pounds. “Obviously, it’s helped Christian [Bale], and Nick Cage when he did Leaving Las Vegas. But you just can’t help but feel bad about yourself.” Eckhart withdraws his arm but then leans forward, conspiratorially. There is no trace of the bloat he carried around during Bleed for This’ production on his currently lean frame. He tells me that halfway through the shoot, he’d noticed one of his co-stars (he won’t say which) was wearing a fat suit. Eckhart was stunned. “[Director Ben Younger] let you wear a fat suit?” he exclaimed. “Son of a bitch!
I’m a good little soldier,” Eckhart continues. “If somebody tells me to get fat, I get fat. If somebody tells me to lose weight, I’ll lose weight. I never think of things like that.” I ask him if he feels like he gets typecast because of his—and there is no getting around this—general handsomeness.
I do have a handsome face,” Aaron Eckhart admits. “But I have not used it well.”
Is he being self-deprecating or boastful? It’s hard to tell: When you are as conventionally good-looking and suave as Eckhart is, matters of modesty and sincerity tend to be transmitted with an undercurrent of irony. It’s truly hard, in other words, to take the man solely at face value.
Blumhouse has released the first trailer for Incarnate, a twist on the typical exorcism formula starring Aaron Eckhart as an alcoholic, wheelchair-bound man who battles demons from inside the mind of the possessed. He doesn’t use religious methods to expel the ungodly forces, he uses…technology, maybe, or perhaps just good old fashioned force of will? Presumably, they’ll answer that in the film because it’s not entirely clear in the trailer, but if the idea is executed it well, it could make for a nice revamp on a very well-told genre.
From horror mega-producer Jason Blum, and directed by San Andreas helmer Brad Peyton (though Incarnate was in the can before Peyton and Mr. Dwayne Johnson struck box office gold) from a script by Ronnie Christensen (Passengers), Incarnate pits Eckhart’s unconventional exorcist against a young boy, played by Gotham‘s David Mazouz, who is possessed by an incredibly powerful unholy spirit.
Incarnate also stars Carice van Houten and Catalina Sandino Moreno, and arrives in theaters September 30th. Watch the first trailer below.
The tragic death of Heath Ledger and his incredible performance as the Joker led much of the coverage around Christopher Nolan’s Batman Begins follow-up, The Dark Knight. For Nolan, though, a driving force in the story was always Gotham’s unsung hero: the conflicted, but well-meaning city prosecutor, Harvey Dent. Nolan revealed that for him, the most fascinating storyline in the movie was Dent’s transformation into Two-Face.
“The way the story is constructed we always imagined that Harvey Dent would form the emotional arc of the story. His story, his tragedy would be, excuse me, the arc of the story, because The Joker, the purpose of The Joker for us was always that he has no arc, he has no development he doesn’t learn anything through the film, he’s an absolute.”
When the trailer for The Dark Knight debuted in theaters, the focus was on the incredibly captivating Heath Ledger in his psychotic joker makeup. Audiences were barely shown Harvey Dent, and his Mr. Hyde transformation into Two-Face was kept in secret for the most part. The onscreen version of Two-Face who audiences were familiar with was limited to the goofy version played by Tommy Lee Jones in 1995’s Batman Forever, a Two-Face that was probably a better fit for a carny than a Batman villain. The Dark Knight’s Two-Face, though, truly captured the horrifying portrayal of a man who suffered a gruesome injury. “When you look at Two-Face, you should get sick to your stomach,” Eckhart said.
Continue reading at the source: Uproxx
Aaron Eckhart is joining Tom Hanks in Warner Bros.’ Capt. Sully movie
Hanks will star as Chesley “Sully” Sullenberger, the pilot who safely landed his plane full of 155 passengers in the Hudson River after both engines were knocked out by a flock of geese. The “Miracle on the Hudson” made national headlines in January 2009, and Capt. Sully was deemed the “Captain Cool” by then-New York City mayor Michael Bloomberg.
Eckhart will play Jeff Skiles, who was the first officer and co-pilot on the Airbus A320. He was manually flying the plane when the birds crashed into the engines. He helped Sully safely land the US Airways plane.
Clint Eastwood will direct the film, which will have a script by Todd Komarnicki, who is drawing from Sullenberger’s life and memoir.
Warner Bros. is behind the movie, which is being produced by Eastwood, Tim Moore and veteran producers Allyn Stewart and Frank Marshall.
Eckhart most recently was seen in I, Frankenstein and Olympus Has Fallen, and he’ll reprise his role from the latter for the sequel, London Has Fallen. He’ll also be seen in the boxing drama Bleed for This with Miles Teller. He’s repped by CAA.
Source: Hollywood Reporter
Actor Aaron Eckhart, joins Geoff Ketchum to describe his role in the upcoming film ‘My All-American’. Eckhart plays the role of Longhorns coach Darrell Royal, in a true story about inspirational character Freddie Steinmark. The movie will hit theaters on November 13, 2015.
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